Free Wedding Photography Planning Guide!

I have talked with hundreds of brides over the years and have long wanted to create a resource for planning weddings. I wanted it to have a specific focus on wedding photography, but also to offer guidance on planning the day overall. I give my own take on typical wedding planning questions for brides and grooms, and hope that it greatly assists to the recently engaged! This resource (16MB) can download the wedding planning guide for free here!

Wedding planning can quickly turn into a stressful task, and it breaks my heart to hear brides say, “I wish I would have known…”, and “Our _____ ruined our wedding.” Your wedding story will happen in the blink of an eye, and more than likely, you are doing this for the first time, so who is to help you know what to look for? This is an incredible opportunity to pass on the wisdom of others onto those who are now planning their big day!

If you find this guide useful, or if you have any other questions, I am always looking for feedback to better assist my clients! Please feel free to use the comments section below! Enjoy!

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Visit Jordan Bush Photography at the Best Wedding Showcase!

This Sunday JBP will be at the 20th Annual Best Wedding Showcase – The biggest & best Bridal Show in Central Pennsylvania. Plenty to do, see and taste! Over 100 wedding professionals, with exciting Design and Trends tablescapes, a Photographers and Mannequin Fashion Gallery, along with a fashion show headlining on the Main Stage with exquisite gowns by In White and Klock Entertainment. Enjoy the musical styling of Chris Poje and his team of talented vocalists prior to the show. And don’t miss Posh Bridal and Central PA Tuxedos’ mini fashion shows many times throughout the day. Always incredible prizes valued at over $12,000, plenty to see, experience and taste with cake and food samples galore! Meet the region’s best wedding experts first hand to help you plan your big day!

There will also be a day of special for all future JBP brides, so stop by to say hello!

Purchase tickets online at: www.BestWeddingShowcase.com.

 

 

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Wedding Wire Bride’s Choice 2013

I hold true to the idea that you’re only as good as your next shoot, but for those that care, here it is… Click the icon below to check out reviews! Thanks to everyone who has supported the work that I do!

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Being a Friend to Kenya – Fine Living Lancaster

Now that the magazine has had time to circulate, with physical copies reaching at least 8 different states domestically, as well as Africa, I wanted to post my article written and published in Fine Living Lancaster from my trip to Alendu, Kenya with Rafiki Africa Foundation. This article is the product of six months of planning, three weeks of photographing, 16,000 images, a week of editing, and two and a half months of writing. It has changed my life, and I’m hoping it helps change the lives of those in Kenya.

I am looking for broader distribution of the article in part of that mission. Suggestions are welcome. I also need to start finding a way to generate (greater) revenue from this kind of work to continue working in Kenya, as well as other remote regions of the world in telling social photojournalism stories. My life goal as a photographer is to be a voice for those who cannot speak, and eyes for those who cannot see. Any work that I can do with a camera ultimately supports that mission. This is another step in that journey. This piece on Kenya was my second feature published by Fine Living Lancaster, available as a PDF download here. My first piece written and published in Fine Living on the Deepwater Horizon Oil Spill can be downloaded here.

I would ask that you please let me know what you think of this story if you read it, and for the sake of those in Alendu, at the very least, please help spread the word. So much has gone into it, and so much more is on the line. To all of those who helped make this journey possible, who were there with me physically or in spirit, from planning to support, conversations to reviewing the images, editing content, and helping me sort through all kinds of hurt, global and political perspective changes, and simply for being there, thank you.

Posted in Images, Musings, Philosophy, Social Issues, Travel | Leave a comment

Instagram Exodus 1.3.13

I remember when Instagram first came out, and was abhorrently opposed to the antiquing filters that people would apply to an already low resolution photograph. It wasn’t until I was headed to an “IG meetup” at Mac McGee’s Irish Pub with Zack Arias in Decatur, GA. I didn’t even know what IG even stood for, but apparently there were going to be photographers drinking beer together, so I was sold. That was where I met the brilliant Wesq, Kevin “Ab8ta” Abeyta, among others, and the guys heckled me until I created an account. Wesq snapped a photo of me sitting there, and between not paying attention, and 8.2% IPAs, I thought it was Elija Wood. I was blown away by what he pulled out of the dark of our semi-private, gangster style booth.

Since that night, I have visually connected with friends old and new all over the world. I realized the other day that no generation before has ever been able to so seamlessly connect with friends across the globe in an instant. The conversations are often brief but visual, intentional, and communicate almost constantly with little effort. Instagram has become a tool to rapidly distribute an image and share it with the masses.

The problem is that people got greedy. Facebook bought Instagam for $1 Billion USD in April 2012. The issue at hand isn’t that they want to make money off of Instagram. There are shareholders to satisfy, so it was only a matter of time in a way until they tried ripping off their users. For a professional photographer or a mainstream media outlet like VII Photo or Time, having images sold, used to sell another product or idea, and without any consent or repayment are major issues. It is truly the suicide of Instagram. The idea of Instagram will endure in another form, and probably be cannibalized again, but hopefully improvements will come with each reiteration of “The Matrix.”

Professional photographers have legitimate needs the same as anyone else, like teachers, nurses, you name it. I don’t get a Christmas bonus this year, nor a raise, not because I didn’t work hard, but because my business doesn’t work that way. When people steal my work, that cuts into my ability to pay for food, travel, rent, health care, business insurance, storage, off site storage, the list goes on and on. There’s also the issue of associating an identifiable person with a commercial purpose, which is not only unethical, it is illegal without a model release. And that’s what Instagram is doing. They are stealing. From you, from me, from everyone, as long as we allow it.

I’m asking all of my friends to delete their Instagram Accounts with me in an Instagram Exodus on 1.3.13 if Instagram doesn’t change their position. There are other options out there. Don’t let someone steal your lives and work.

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How To: Off Camera Lighting with PocketWizards and Nikon SB900 Flashes

In a recent portrait session, I had the creative opportunity to pull out a little Joe McNally style magic, and wanted to show how the image was created. Justin gave me a call and wanted an image that was creatively a little different than the expected, so that’s what we did. He has an awesome bar in his basement, a family crest carved in a glass water fountain illuminated with blue lights, and we both thought that could make for a fun, yet relative, background.

The lights in the bar room were on dimmer switches, which made setting up the room in anticipation of the shoot easy. Beyond using dimmer switches, I was also able to control the ambient light in camera with shutter speed; longer shutter speed, more ambient light, and vice versa. I wanted Justin to be the brightest exposed in the frame, leading your eye to him, and wanted the warmth of the ambient lights to mesh with his skin tone. I also knew that the Nikon SB-900 flashes were powerful enough to overtake the ambient light if needed.

The main light is at camera left with a color temperature orange (CTO) gel on a Nikon SB-900 flash, set on a 12′ Manfrotto light stand in a 15″ Lastolite EZ Box Softbox. A black shroud taken from a Westcott umbrella was used to cut the light from falling onto the background, further isolating the light onto Justin’s face. The bar is normally illuminated in blue, but with the presence of the main light, the blue light on the background was diminished, chiefly at the center of the family crest. The edges remained blue, but the middle went flat. I took a s second SB-900 covered in blue gel and snooted it with gaff tape, placing it on the bar aimed right at the crest. Both flashes were controlled with PocketWizards, the Mini TT1 and an AC3 ZoneController on my Nikon D3, with two Flex TT5 Transceivers on each flashgun. Knowing that I could control the light on Justin with a) the PocketWizards, b) increasing or decreasing the distance of the softbox to him, and c) as the ambient light by changing the shutter speed, I started by dialing in the blue background light. Each flash was zoomed to 200mm to focus the light on the narrow targets: Justin’s face, and the family crest.

Working in close corners, I had enough flash power to get my ISO down to 200 for a cleaner image, even at f/4. Because it was nearly pitch black in the bar area, I created an impromptu LED focusing light by gaff taping my Apple iPhone 5 to the light stand. A free flashlight app kept the light on and I had about an hour of light that made focusing a piece of cake. The flash power was strong enough that the camera didn’t pick up any exposure from the iPhone.

For Justin’s body position, I wanted something relaxed yet confident. He is wearing a black sweater in an already a dark environment, so his arms are spaced to create dimension and intentional shape. With the light high and to the left, his profile has strong definition. The shadow cast by his nose is kept out of his left eye. The front of the bar is also inherently lit with built in lights, which also added to the definition of his form in front of the dark surface.

The image has a more commercial, yet colorful feel to it. It is almost as though Justin is inviting you into his home to have a drink with him, and if you know him well, that’s probably what’ll happen. From the gorgeous bar to the radical lighting, nothing is expected, and coupled with Justin’s charm, that’s what makes it work.

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Kenya Gallery at Prince Street Cafe – Lancaster, PA -Gallery Guides

Download the gallery guide in iBooks format for your iPad here (5.9 MB).

Download the PDF gallery guide in standard resolution here (10.2 MB).

Download the PDF gallery guide in full resolution here (51 MB).

For the month of November, Prince Street Cafe is hosting a gallery of images with Rafiki Africa from Alendu, Kenya, including on First Friday, November 2, 2012! This gallery features two aspects to a long term photojournalism project with Rafiki Africa Foundation, a Lancaster based organization that supports a community in Kenya primarily with the proceeds at Rafiki’s Deli at Lancaster Central Market. This gallery also ties into a feature article published in Fine Living Lancaster Magazine‘s November issue, going further in depth behind the images and telling a greater story of the lives this work affects.

For more information on how you can support Rafiki’s work, please stop in at Rafiki’s Deli or visit their website, www.RafikiAfrica.org.

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Upcoming Events with Jordan Bush Photography

There are a lot of exciting events coming in the next few months for JBP! For those who have been waiting patiently to see the images and hear the stories from Kenya, that time has finally come and in a variety of avenues listed below.

I’m also increasing, but also capping, my focus in capturing weddings, as I merge visual storytelling and photojournalism from a both a wedding and social standpoint. My approach is entirely the same for both subjects, and the time I have spent capturing one avenue has directly grown the other. I feel as though the layers in each image, as well as the storytelling as the images connect, is deeper and stronger than ever before. I am also praying for a return to Kenya which is in the works and could happen quite soon. There is much more that has yet to be finalized, but for now, I leave you with this!

-Washington Bridal Showcase – Sunday, September 16 – Washington Convention Center, Washington, D.C.

-Keynote Lecture, Rafiki Africa Foundation’s Annual Dinner – Sunday, October 21, Eden Resort, Lancaster, PA. Ticket information can be found at the bottom of this post.

-First Friday Gallery – First Friday November 2, 2012 – Prince Street Cafe, Lancaster, PA
Exhibit continues throughout November 2012.

-Kenya Story Publication – Anticipating a November Release- Fine Living Lancaster Magazine, Lancaster, PA.

-Kenya Exhibit – Rafiki’s Deli, November 2012 – Lancaster Central Market, Lancaster, PA

-Online Video Tutorial, Editing Workflow with Zack Arias – Coming soon!

For tickets, contact info@rafikiafrica.org.

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Third World Digital Photography Workflow

Earlier this year I spent a month overseas, most of which was photographing in the exceptionally remote village of Alendu, Kenya. Since returning home, I’ve wanted to outline a digital photography post production workflow for photographers working in a remote corners of the globe. Individual workflows may differ in terms of software, budget, how safe the area may or may not be, and what you can travel with, so I’m going to lay out a few premises for this workflow to level the playing field a bit.

1) Electricity access is zero.
2) You are photographing daily. In my case, capturing a minimum of 1,000 RAW images.
3) You need to charge all camera batteries, flashlights, and audio recorders daily. I was using two Nikon D3 cameras bodies, (redundant batteries and chargers in the event of failure), with Nikon’s 35mm f/1.4G and 85mm f/1.4G lenses.
4. Redundancy equals consistency.
5. Mobility is key.

GoalZero Solar Hardware
As for the hardware, the first component to my workflow was the use of GoalZero solar equipment. Their systems are extremely compact, light weight, and the power output is consistent (large, dirty, and loud gas generators can power surge, while also requiring fuel). Solar is free, green, reusable, and reliable. Relative to specific needs, at a minimum I would suggest two Nomad 27 solar panels and a Sherpa 120 power pack with a Universal Inverter. A power strip would also be helpful, but keep in mind that the more stuff connected, the more inefficient the system becomes. Currently I have two Nomad 27s, two Nomad 13.5, a Sherpa 120 power pack, and I’m beta testing a Sherpa 50 power pack for GoalZero. The new features on the Sherpa 50 are absolutely incredible, and I can’t wait until the final version hits the market. The panels are very light weight, work separately for redundancy, or when chaining the panels and batteries together to create a simple, well planned grid for harvesting power.

When using solar panels, make sure that all of the components chained together are properly connected and powered on. This is your lifeline, and if you are not collecting power, you are donezo. No camera batteries to capture, no means to download or backup images… you might as well go home, crack open a beer, turn on Netflix, and drink yourself into a stupor because you screwed up so badly. Be sure to get the panels out into the sun early. Set them out the night before if you have to. They’re built for the weather. I usually keep the power pack under the panels though to keep moisture off of them, and to keep power packs running cooler. In a warmer climate, with the exception of USB powered devices, it’s never advantageous to charge any devices off of the Sherpa battery during sunlight hours due to heat. Power inverters and notebooks have fans that kick on to cool them, and that draws valuable power. Backlit keyboards, wifi, bluetooth, all need to be turned off, with displays dimmed, to save energy.

Having enough Sherpa power packs for energy storage is crucial for a few reasons. Beyond being your warehouse for energy, the more storage you have, the better off you will be during inclement weather. While I was in Kenya, the rainy season went later into the year than expected. Daily at 3:30PM it would rain as though God himself hit a switch and the sky fell. That kept charging to a minimum, from 6:30AM sunrise to 3:30PM. Alendu is on the equator, so the days are consistently short all year round. The further towards either pole you travel, the more extreme sunlight duration in effect. Plus, if something goes wrong, or you miscalculate your energy needs, more is better. Basically, you can never have too much available energy when none is available to you otherwise. Also, GoalZero power packs can be charged from a wall, so should you find the opportunity, at say an airport, keep that cable and a universal outlet adapter handy.

The Mac
The second component is a 13″ MacBook Air, Mid 2011, 1.8GHz i7. It has a crazy fast Thunderbolt connection, and the newest version of the Air has USB 3.0. I use iStat Menus 3 software to monitor the system in the Status bar (top right). Under the Temperature status, current power consumption is listed in Watts. Using fuzzy math, if you are drawing an average of 15 Watts and have a 120 Watt hour battery, you will get approximately 8 hours of use out of that source. It isn’t an exact science, but you get the idea.

Data Storage
For downloading, I had two Seagate 1.5TB FreeAgent GoFlex external hard drives, and a 500GB LaCie FireWire 800/USB 2.0 hard drive. Apple has since released the Thunderbolt to FireWire 800 adapter, so now I can use my Lexar FireWire 800 CF card reader to import. This saves 50% of the time to import over USB 2.0. Less uptime means less energy. Apple has also updated Aperture, so now images can be ingested using the JPEG preview from the camera, as opposed to interpreting the RAW file and ripping a full resolution JPEG from that code.

Processing images is the most time and energy consuming part of ingestion, and now that step can be bypassed. Individual (or all of the ) images will still fully render as desired, and image quality is not effected in the RAW file. Seagate also offers an adapter to upgrade their drives for use with Thunderbolt as opposed to USB 2.0. For comparison, I can download a 32GB memory card via USB 2.0 in 22 minutes, but with Thunderbolt, I can transfer 60GB of images to the same internal SSD from an external hard drive in approximately 5 minutes.

Software & Backup Solutions
In Kenya, I was using one main Aperture library, and each day vaulting that library from one drive to another. There are a few issues with this idea. First, you have two external hard drives spinning away at the same time, so to back up and clear your memory cards, you need to make sure you have enough power to complete a backup. Second, a vault is not a workable file. It’s a package file that contains all of the master and version data which can be rebuilt into a full library. I had an issue where my main drive would no longer mount, and I had to restore my library from a 255GB vault. I didn’t have enough sunlight to accomplish this for two days, and I think I lost about five pounds in that period due to the sheer stress.

In the future, I will create one Aperture library for each sequential day, stored locally on the SSD drive. After I’m done importing, cards are checked to make sure every file was downloaded, and images are rated 1-5 stars for the initial selection. Next I will copy that library to an external hard drive over Thunderbolt, and repeat this process to a second hard drive for an identical backup. Transferring from SSD over Thunderbolt is fast, saving on uptime, which saves power from the GoalZero gear.

Cards are only formatted after two copies are made, and by not using a more convenient vault, I have two workable, organized, sorted libraries, with one drive stored in a different location in a Zip-Loc bag. If the main hard drive would fail and I lose my image adjustments, so be it. When I’m in the field for a long duration, I typically don’t care about color just yet, but I will have an immediately workable backup library. I keep that third hard drive on hand just in case I need to make a third copy. The primary hard drive is stored in my water tight, latched shut Pelican 1510. The last step

Shipping & Handling
My entire GoalZero kit weighs under twenty pounds and folds up to fit into a backpack. The MacBook Air weighs under 3 pounds, the Pelican 1510 filled with my Nikon gear weighs around 42 pounds. In Kenya, I had a Nikon 400mm f/2.8 VR lens, two solar panels (Nomad 13.5 and Nomad 27), the Sherpa 120 battery pack with a power inverter, my 13″ MacBook air and the power adapter in a single backpack. It never left my side, and was insured at replacement value. My Pelican 1510 stayed at my side, too, and the only thing I checked were items I could, in one extreme way or another, exist without (i.e. clothing, first aid, Nalgene bottles, electrolyte tabs, a tripod/monopod, extra shoes, etc).

As with any workflow, this is a work in progress. If you have any comments or questions, please use the field below!

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Livestrong

“I will commit myself to the work I began before ever winning a single Tour de France title: serving people and families affected by cancer, especially those in underserved communities. This October, my Foundation will celebrate 15 years of service to cancer survivors and the milestone of raising nearly $500 million. We have a lot of work to do and I’m looking forward to an end to this pointless distraction. I have a responsibility to all those who have stepped forward to devote their time and energy to the cancer cause. I will not stop fighting for that mission. Going forward, I am going to devote myself to raising my five beautiful (and energetic) kids, fighting cancer, and attempting to be the fittest 40-year old on the planet.” – Lance Armstrong, 7x Tour de France Champion

Before “cycling became the new golf,” you first should know that I grew up being made fun of for being a cyclist well before Armstrong was a household name. I shaved my legs, wore spandex, and knew more about carbon fiber than everyone but a NASA scientist in the year 2000. Armstrong made it all look as sheek to you as it was to me. In my 2003 senior yearbook, I was “Most likely to become Lance Armstrong’s next teammate.” I stayed up until 3AM waiting for those 20 minute recaps on ESPN because no other cable news station aired the Tour de France, the race that few Americans would even know about were it not for Armstrong.

I have spent a great deal of time photographing this inspiring athlete on and off the bike, from covering his Comeback 2.0 at the 2009 Amgen Tour of California, to photographing for Livestrong directly in the fight against cancer, and feel as though this isn’t justice at all. Even if he were a doper, this case wasn’t handled right, I wouldn’t want any of my friends to be treated this way, and ultimately, it hurts the fight against cancer more than anything else. As my friend John put it, “They can strip the 7 wins away from him but they can’t strip him of his truer life’s work. One is a bike race, one is a life saver. Which one would you want to be remembered for?”

Here’s to the continued fight against cancer. Livestrong.
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